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Issue 20

A Conversation on Intimacy With Aastha Khanna

Lakshya Sharma, Maahira Jain, and Reya Daya

Gehariyaan became the first movie in India to have an Intimacy Director. This credit sparked curiosity in many minds. OpenAxis decided to have a conversation with the first Intimacy Coordinator of India, Aastha Khanna, about this new field.

OpenAxis had an insightful and inspiring conversation with Aastha Khanna, the first Intimacy Coordinator of India. In this conversation, she talks about her journey, her recent projects, and the core of Intimacy Direction. Head down to the audio below to listen to the podcast

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  2. A Conversation on Intimacy With Aastha Khanna
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To find excerpts of the talk and her answers, read below!

Maahira 

So how did you come about this career and how did people around you react to your decision to become an intimacy coordinator? 

Aastha 

I read an article about an intimacy coordinator in the west. That article hit home with me. It seemed like an incredibly pertinent job and something that I felt I would fit right in. But then the first COVID lockdown in 2020 happened. I was already in touch with a few intimacy directors in the west and had applied for a program and as luck would have it I got in.

The conversation was not very intense with my parents when I told them I’m doing it. I was not aware of what future it has in India. For my father, it was just a concern whether this is going to be a financially viable decision for me. I told him, I don’t know what’s gonna come of it, but I knew that it is something that I wanted to learn and I felt like there is use for it in our industry. My parents were supportive, they are big cheerleaders of the work I do. So, that’s been the journey.

Maahira 

I’m sure there were some difficulties in education in India like a lack of institutes or places to learn or people to talk to. So how do you navigate that space? 

Aastha 

There was almost nobody working in intimacy at the time in India and there aren’t any institutes even today that teach intimacy coordination, or any kind of intimacy work. In fact, the first course in India is also going to be launched by us at the Intimacy Lab in April this year. Did I have any difficulty in navigating the atmosphere in India? Not so much because I didn’t attempt it. I researched and I found that almost nobody was doing anything in this space. So for me to reach out to the people in the West and in other countries abroad was the most natural next step. I have studied abroad before, I did my undergrad there, so it wasn’t that difficult for me. I’ve always been somebody who travels a lot.

Lakshya

Will you be kind enough to tell us more about the Intimacy Collective that you started. 

Aastha 

So the collective basically happened to me because I realized that there wasn’t a community of people that were working in intimacy directly. I decided to bring them all together under one roof and that’s why the collective was formed. I got hold of somebody I knew who was working with minors right and someone who really wanted to pursue intimacy coordination. I was introduced to somebody who was working in sexual harassment as a freelancer for big corporate companies and was handling their POSH committees.​​ Then there were acting coaches and people who I have worked with.  I was searching for a community of people within our country who would understand where I was coming from when it came to cultural context and that’s why the collective happened.

Lakshya

How do you think we can teach the upcoming generations in India about the complexities of consent, sexuality, and intimacy so that we are able to create a more tolerant audience? 

Aastha  

I feel like consent is something that needs to be taught at an extremely young age. Just allowing people from a very young age to have agency over themselves is something that is a huge cultural shift for our community and we need to inoculate that within our younger generations. I think school has a big role to play here. The things that make you uncomfortable will stop, but the dynamic of where you are allowed to say no, and if it is acceptable is what we need to work towards. 

When it comes to sexuality, I feel again as a culture we are kind of growing towards a more knowledge-based approach towards the LGBTQIA+ world. I feel it’s very important for us to have more conversations around it and destigmatize the idea of having conversation about sex and sexuality from very young age. I think everyone needs to have a voice which is why I always say breed spaces where everyone has the agency to have a conversation that they feel that they want to have, and I think it’s very important for people who are from slightly older generations to address those questions, or those conversations with pertinent information. 

Maahira 

Do you think there is a difference in the ways intimacy is displayed by male and female actresses and the ways it is received by an audience? And why do you think this difference exists?

Aastha

I think the audience is preconditioned. But to answer about heterosexual intimacy, what usually happens is that when intimacy is portrayed by a female, by intimacy I mean probably nudity, it would be considered aesthetic. When someone from the male gender usually portrays intimacy, socially, it’s considered aggressive. Predominantly using female nudity as a way to show intimacy is, in my opinion, slowly shifting to a more balanced and organic portrayal of intimacy, and rightly so. Intimacy is a part of the human experience, so audiences who watch intimacy and perceive in its most organic natural form will not become uncomfortable or feel like something vulgar is happening on the screen. It actually really depends on what the director really is trying to achieve. 

Maahira 

Several people within and outside the industry have had some criticisms or issues and referred to intimacy in various ways in which it probably isn’t portrayed; like ‘vulgar’ or ‘lewd. Do you think there has been a shift in terms of audiences being more accepting? Has there been some kind of a change or do you think the majority of the audience is still as skeptical as before?  

Aastha

I think first thing is that none of us are wearing superhero capes. None of us are trying to change public opinion overnight over one film over one idea. I think Shakun was able to achieve what Shakunn wanted to achieve with the film. I think people have the right to their own opinions of whatever they see, which is why it’s been put out. It’s a story that we wanted to tell, and a story that we wanted would spark some form of conversation. . Yes, there could still be people that thought that it was overdone, or it was lewd or vulgar. So, for a relationship drama like Gehariyaan to completely avoid intimacy in the storytelling would have been very surfacal as intimacy is a huge part of that story. Whether it’s emotional or physical, it’s an extremely important part of being able to tell a story where any form of infidelity occurs, or any form of a relationship is being portrayed. I think the audiences are evolving. I think they are mature enough to take a story in its entirety and to understand that Intimacy is the part of it, and not just in Gehraiyaan.

Lakshya

What do you think is the core of Intimacy Direction?

I think the most important aspect of intimacy direction is trust building. You’re constantly working within an extremely vulnerable environment, with very vulnerable stories. I think for me the most important thing is that I require for my performers to trust that I am upholding their consent and that I am there for them, and that I am going to be supporting them throughout and also for production to trust that I am not a part of the actors’ entourage. I’m still going to be someone who’s going to support the director in his vision and work towards achieving it as best as we know how. 

I think empathy is also extremely important in this case because one can try and provide all kinds of support. But if you don’t fully understand your performers and the only way to do that is that they trust you. They will tell you their needs and unless you know what they need, you can’t support them. It’s actually not isolated just to intimacy. It stands true for any kind of creative collaboration.

Aastha Khanna, India’s first certified intimacy coordinator has always had a great passion for cinema. She graduated from the University of York in England with a Bachelor of Science Honors in Film and Television Production. She has been an assistant director on over half a dozen feature films in India. She hopes to share the much-needed knowledge and expertise of intimacy coordination across the different Indian film and television platforms.

Interviewers: Lakshya Sharma and Maahira Jain

Podcast Editor: Reya Daya

Picture Credits: The Hindu

We publish all articles under a Creative Commons Attribution-NoDerivatives license. This means any news organisation, blog, website, newspaper or newsletter can republish our pieces for free, provided they attribute the original source (OpenAxis).

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