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Issue 10

The Road to Mars – A Tale of Betraying and Befriending Physics

Let us embark on a journey to witness the past, present and future of Mars exploration, some unsolvable problems and their ingenious workarounds. Though I will not argue with philosophical rigour about a future that is wildly uncertain, I hope to motivate a well-informed instinct about a certain claim i.e. humans shall walk on Mars in the next decade. Understanding why this claim should be taken with a grain of salt at all requires us to acquaint ourselves with the challenges that humanity is up against in a journey to our planetary backyard. 

To reach Mars, we (obviously) need to leave Earth and get to space. On Earth, to move forward, vehicles on land push against the ground, in sea against water and in air against the atmosphere. This is a manifestation of Newton’s famous law – ‘Every Action has an equal and opposite reaction’. But in the vacuum of space, can one propel forward without pushing against anything? This problem was the reason why space travel was considered impossible in the scientific community until a Soviet school teacher, Konstantin Tsiolkovsky, presented an ingenious workaround. He suggested that in vacuum a body can accelerate in one direction by throwing away a part of itself in the other. Rocket engines, throw parts of the rocket bit-by-bit and the part that is thrown away is – no surprise – the fuel. 

Though Tsiolkovsky’s solution made space travel possible, he left us with an important constraint in the form of the ‘Rocket Equation’. To travel farther in space, rockets need extra fuel. Carrying additional fuel, then, increases the weight of the rocket and moving heavier rockets requires even more fuel. But the additional fuel has its own weight and so on. This is the Tyranny of the Rocket Equation. Even in our best rockets, only the top of the pointy end is the stuff that carries real scientific value (often called the ‘payload’). The rest is simply a technologically advanced fuel container. 

Now, let us start moving towards Mars. One might think this is not too difficult because we can simply locate Mars and burn our engines in that direction. However, science in space does not like straight lines; we move in curves. Since the rocket is launched from Earth and Earth moves around the Sun in an ellipse, the rocket gets slingshot tangentially into space by our lovely planet. To move towards Mars in a straight line, we would need to burn one engine in the direction of Mars and another one to counteract the tangential velocity that Earth imparts on our rocket. Here is the catch – Earth moves really fast. The tangential velocity is so massive, it is impractical to counteract it with our puny engines and little fuel. 

Hohmann transfer orbit is the clever workaround we use now. Instead of continuously burning engines to move straight, Hohmann transfers utilize useful school-geometry to form an elliptical path such that we only need to burn our engines twice; first, to escape Earth’s orbit and the second time, near Mars, to match the Martian orbit. 

Even though our elegant elliptic routes are the most fuel-efficient way to reach Mars, they are far from quick. A one-way trip to Mars, using the Hohmann transfer takes about 6 months and the mission must start from Earth in a specific launch window that only occurs every 2.2 years (the three Mars missions by America, China and UAE all launching in the same week last year is not just a coincidence but a physics constraint). Long-duration space travel is not much of a problem for machines but evolution has fined-tuned humans towards Earthly comforts.

Fortunately, we have a great laboratory to understand space physiology – the International Space Station (ISS). Some astronauts in the ISS have spent an entire year floating around weightless. Muscle atrophy is the most obvious effect of microgravity on the human body, which is why astronauts must workout in space using special equipment. Even more nuanced problems are observed when it comes to visual perception, blood pressure, balance, bone density and more. There is an enormous amount of research being done in this recently developed field of science and the time spent by humans in ISS keeps yielding valuable insights. It is safe to say that we know how a year-long trip to Mars (for the most part) without gravity would impact our astronauts. 

We assume that the Martian trip would be a round one. Carrying enough fuel to make the to-and-fro mars journey is an unprecedented feat. This is where the tyranny of the rocket equation kicks in again because the fuel for the return trip becomes the payload of the first trip. Building a rocket capable of transporting this enormous amount of fuel presents hundreds of annoying engineering problems. A promising solution is to only carry enough fuel for a one-way trip and, once on Mars, refuel the rocket with what we can salvage. SpaceX, for their shiny new rocket named Starship, has successfully developed sophisticated engines that they call Raptors. They work on methane and oxygen, which SpaceX wishes to extract from the Martian atmosphere using the electricity that they generate on Mars with their solar panels.  Since Mars is further away from the sun, pioneering efficient solar energy is also one of the many research avenues that, though part of Martian exploration, can have a direct impact on improving life on Earth. 

We have looked at some theoretical and engineering problems that we know how to solve. There is one giant complication in human space travel and the solution to it, I believe, would be the defining call on whether or not humans make it to Mars in this decade. This is the problem of space radiation. At all times, there is lethal radiation being showered on us from all sides. Fortunately, Earth has a magnetic field generated by its molten metal core that wraps it like a cocoon. This Magnetosphere protects the inhabitants from lethal space radiation.  Astronauts who have stayed in space for a year have only been in the low-Earth orbit, a region that falls under the protection of Earth’s Magnetosphere. It is notoriously difficult to shield against this radiation and having thicker walls in our spacecraft has proven to be an ineffective strategy. There are proposals to develop active radiation shielding techniques involving clever use of plasma or generating the spacecraft’s own magnetic field to mimic that of the Earth. 

Space Radiation Shielding is the one problem where confidence in my claim dwindles. There are still reasons to be hopeful. We started the 20th century not knowing how to fly. In the next fifty years, we sent a man to space and in another decade, to the moon. The hundreds of other difficult problems that stood in our way to Mars are nearing completion and this has got the ball rolling in several research departments to revisit the radiation problem as one that would have immediate real-world impacts. Plans to go to the moon in the near future (see NASA’s Artemis Project) for longer missions would help us understand the effects of Space Radiation on human physiology and better equip ourselves for the long journey to Mars. 

To millions like me, it remains an incredible source of optimism to know that the first human who would walk on Mars is, arguably, studying in some school right now; a hopeful reminder of the fascinating days that we will witness in our lifetime and a humbling inspiration for the work that is yet to be done, in space and on Earth.

Kartik Tiwari is a student of Physics and Philosophy at Ashoka University, with a specialised interest in Astrodynamics and Science Communication. 

Picture Credits: Starship on Mars by Dale Rutherford

We publish all articles under a Creative Commons Attribution-Noderivatives license. This means any news organisation, blog, website, newspaper or newsletter can republish our pieces for free, provided they attribute the original source (OpenAxis).

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Issue 10

Silence of the Players: The FIFA World Cup and Human Rights in Qatar

At the time of writing, there are 608 days left for the 2022 FIFA World Cup in Qatar. There was controversy even during FIFA’s initial decision to award host status to the Middle Eastern country in December 2010, and criticism has, with good reason, only grown in magnitude since then. Reports of human rights violations and migrant labourers being forced to work in atrocious conditions have received wide publicity in the lead up to the world’s biggest sporting event. Earlier this year, the Guardian estimated that more than 6500 migrant workers from India, Pakistan, Nepal, Bangladesh and Sri Lanka have died in Qatar since December 2010. Another report by Amnesty International cites several issues that many migrant labourers in Qatar are forced to confront. These include terrible living conditions, wage problems and forcible detention in the country by employers. While calls to boycott the tournament have been made by fans and clubs alike, there has been a notable lack in public statements or stands made by players participating in the tournament. Many footballers who are aware of the situation unfolding in Qatar are likely to face some degree of moral conflict or external pressure whether or not to use their reach to advocate change, or even a complete boycott. The risk of losing one’s place in the team, being restricted from speaking out by sponsor companies, the influence of PR teams, football organizations and countries present several possible explanations for the relatively low amount of condemnation that the tournament has received from players. 

Players are the most visible part of a World Cup. Apart from being the carefully selected group to represent a country, they are also the most marketable part of the World Cup, and hence, subject to utmost scrutiny. However, should players be carrying any sort of moral burden? 

Although they are a fundamental part of the tournament, they are independent of the operations and decision making processes of FIFA and its political and commercial partners. The highest governing authority on football should be held more accountable for not only granting Qatar the rights for the World Cup, but also failing to ensure more stringent rules and directives. FIFA’s complicitness in Qatar exploiting its labourers points at the need for drastic structural change. There have been several accusations against the organisation that it took bribes to allow Qatar to host the tournament. Former FIFA President Sepp Blatter, who is serving a ban from FIFA-related activities following a separate scandal of his own in 2015, wrote in his book Ma Verite, that FIFA executive committee (Exco) members chose to disregard advice that Qatar would not be able to host a World Cup, and that “he alleges Qatar’s shock victory was a combination of a rule-breaking collusion deal and political pressure exerted on Michel Platini, the French Exco member”. With the multiple political and diplomatic layers shrouding the World Cup behind endless trails of scattered bureaucracy, it is unlikely that significant structural changes will take place before 21 November, 2022. The route that FIFA seems to have taken is one of deflecting attention until then, in the hopes that the glamour of the first World Cup to take place in the Middle East (and only the second in Asia) will outshine the tournament’s corrupt foundations. 

Some nations and players have chosen to publicly take objection with the events in Qatar on their own accord. Norway coach Staale Solbakken said that his team was planning to use a special gesture to raise awareness about migrant labour conditions in their first fixture against Gibraltar. In 2016, two Dutch players, Tom Hogli and William Kvist , who signed with FC Copenhagen in Denmark, spoke out regarding the same issue. Riku Risi, a Finnish striker, boycotted a collective tour with Sweden and Iceland in January 2019 due to “ethical concerns”, despite putting his place in the team at risk in choosing to do so. Yet, not all players and others associated with the game on the ground level share the same sentiments. Footballing legend Zlatan Ibrahimovic stated in a recent interview that “A football player will play in the World Cup no matter what. Whatever happens off the pitch is not up to me”. Former Barcelona superstar Xavi Hernandez, who is currently the manager of Al-Sadd in Qatar, has emerged in favour of hosting the World Cup there, mainly due to the country’s small size and subsequent lack of travel time between venues. His personal stakes in Qatari football, alongside the fact that he will be an official ambassador for the World Cup could mean that he is virtually unable to raise any grievances against Qatar or FIFA due to the implications for his career. Or, like Ibrahimovic, he could be detached from the various causes for concern associated with the tournament and simply wish to focus on football instead. 

It is evident that players who wish to publicize their opinions must take into consideration the effect it will have on their market values, commercial deals and position within the team, and not to mention, their chances of representing their country. Showing signs of solidarity at the tournament or even boycotting it entirely can only be part of a short-term solution— it would take a great deal of movement in a short time-frame before it starts, for any kind of drastic change in either Qatar or FIFA. For now, it seems like FIFA is counting on the worldwide spectatorship and footballing glory that the World Cup brings with it every four years to supersede the magnitude of their mistakes. 

Shourjo Chatterjee is a 4th year undergraduate student at Ashoka University studying English Literature and International Relations. In his free time you’ll find him drumming and reading novels.

We publish all articles under a Creative Commons Attribution-Noderivatives license. This means any news organisation, blog, website, newspaper or newsletter can republish our pieces for free, provided they attribute the original source (OpenAxis).

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Issue 10

Remo D’Souza: The Man Who Changed the Face of Indian Dance

Bollywood thrives on dance. Hindi cinema feels incomplete without fabulous dance sequences at regular intervals, nudging us to jump out of our seats and grin at the sheer grandiosity of it all. Songs are integral to the emotional fabric of these films; and choreographed dance steps only serve to enhance their mood and rhythms. Despite its importance, dance had always been a background element. It had always been present, but was seldom the main focus of the film. However, in the past few years, this subsidiary status has changed. Dance films and dance reality TV shows have become more common, and dancers have steadily gained celebrity status. This shift in perception can be credited to various reasons,  one of the principal ones being Remo D’Souza. 

Remo D’Souza is an Indian dancer, choreographer and director. He started his journey as a dancer in 1995. On account of his dark-coloured skin, he was subject to racism and rejected from many films. He found his first break as a background dancer in choreographer Ahmed Khan’s group in the film Rangeela. Later, he decided to venture into choreographing music videos. His choreography in Sonu Nigam’s “Deewana” in 1999 was very well received. Remo eventually changed paths and tried his hand at choreographing film videos. Here, director Anubhav Sinha’s Tum Bin was a major milestone for him. In 2009, he made his television debut as a judge on the show Dance India Dance (DID).

D’Souza’s extraordinary influence on the Indian dance scene stems from his stint on DID. As a judge on the show, he mentored various novice dancers like Dharmesh Yelande, Salman Yusuff Khan, Raghav Juyal, Prince Gupta and Punit Pathak who flourished under his guidance, and till date credit him for their success. Khan was the winner of DID, and appeared in the title song of Wanted. In 2013, he won Jhalak Dikhhla Jaa with dancer Drashti Dhami. In 2014, he was a participant of Fear Factor: Khatron Ke Khiladi 5. He was also a judge on the dance reality show Dance Dance Junior. A spin-off of DID called DID Li’l Masters aired in 2010. Dharmesh was a skipper on the show; and his mentee won. Both Juyal and Gupta were skippers on DID L’il Masters 2. Juyal stayed on as skipper for the show’s third season too. In 2015, D’Souza started appearing as the Super Judge on TV show Dance Plus. Dharmesh and Pathak are regular judges on the show; while Juyal has been the host since the show’s premiere. This is unprecedented — to achieve success through dance in such a short period of time; and managing to hold on to that glory. These shows and their contestants’ success have significantly altered the way people see ‘dance’, and established it as a non-queer career choice. 

Through his films ABCD: AnyBody Can Dance, ABCD 2 and Street Dancer 3D, D’Souza has brought the genre of dance films into mainstream Bollywood. His cast is composed almost entirely of dancers, and besides his regular crew of Yelande, Khan, Juyal and Pathak, D’Souza also spotlights upcoming dancers through these films. Popular American dancer Lauren Gottlieb made her Bollywood debut in ABCD. Today, all these dancers are prominent names in India’s dance circuit. D’Souza has also contributed to the recent wave of novel dance forms in Hindi cinema. His film ABCD famously played around with almost 50 different dance forms like western contemporary, ballroom, pumping, hip-hop, kathak, Indian folk, semi-classical, local street dancing, etc. 

The films in the ABCD franchise employ inspirational plots. I write “employ” because the major plot is always dance, and its interaction with different characters. The sub-plots within the dance films serve to enhance the exhilaration of witnessing that interaction. In ABCD: AnyBody Can Dance, Prabhudeva says, “Dance apne aap mein ek nasha hai. Jab yeh nasha ho, aur koi nasha nahin ho sakta!” (Dance is an addiction in and of itself. When this addiction is present, no other addiction can be entertained!) Here, sheer passion for dance is posited as the condition of an excellent dancer; and an excellent dancer is shown as a rich dancer. ABCD 2 structures itself upon the binary of ‘dance to express/dance to impress’. It tells the story of a dance crew who make their way to a hip-hop competition in Las Vegas. They do not win; but they successfully exhibit the impact of dance on one’s life. Street Dancer 3D utilises the binary of ‘dance for yourself/dance for others’. Here, the dancers earn money by winning a dance competition and use it to send struggling, South Asian immigrants back home. All these stories argue for dance’s positive influence on people; and also assert its place as a viable career and lifestyle in today’s India. 

D’Souza’s persistence and creativity have shifted the way dance is perceived in India. For an art form which is utilised by the poor to facilitate class ascension; dancing used to be popularly dominated by the rich and the famous. D’Souza’s endeavours have collapsed this distinction. By foregrounding background dancers and allowing their skills to dominate the frame, his projects give artists a platform and highlight their versatility alongside the films’ heroes. In his films, while Varun Dhawan and Shraddha Kapoor are the clear protagonists; dancers Prabhu Deva and Lauren Gottlieb are never sidelined. Consequently, dancers and actors receive the same treatment and both are viewed as celebrities in their own right. Through various projects across his career, D’Souza has encouraged this shift; and thereby his lasting contributions to the Indian dance scene cannot be overstated. 

Anushka Bidani is a 20 year old poet & essayist from India. She’s studying English literature at Ashoka University. You can find her at https://anushkabidani.com

We publish all articles under a Creative Commons Attribution-Noderivatives license. This means any news organisation, blog, website, newspaper or newsletter can republish our pieces for free, provided they attribute the original source (OpenAxis).